Ani Castillo is first and foremost a Fellow Human. She was born in Guadalajara, Mexico. It was pouring rain on that summer day and she loved life from the first breath. Ani became a newspaper cartoonist at age 20, by pure accident. For the next 14 years her cartoons were published in Mexican and Canadian newspapers. These days she’s an author and her books are published in New York and translated to several different languages around the world. She lives in Toronto with her beloved daughters.
Summer 2020
Adeyemi Adegbesan is a Toronto based photographic artist whose practice aims to examine the intersectionality of black identity. Reflecting on blackness through pre-colonial – colonial – present day and future timelines; across regions, religions, varying levels of income, and political lines; Adegbesan interrogates the dichotomy of the richness of black experiences with the imposed societal homogeneity of ‘Blackness’. Through his work Adegbesan pulls from these varying elements to create Afro-futuristic portraits that embody history, future, and culture all in one.
Summer 2020
SHAWN MICALLEF is the author of Frontier City: Toronto on the Verge of Greatness, Stroll: Psychogeographic Walking Tours of Toronto and The Trouble With Brunch: Work, Class and the Pursuit of Leisure. He’s a weekly columnist at the Toronto Star, and a senior editor and co-owner of the independent, Jane Jacobs Prize–winning magazine Spacing. Shawn teaches at the University of Toronto and was a 2011-2012 Canadian Journalism Fellow at University of Toronto’s Massey College. In 2002, while a resident at the Canadian Film Centre’s Media Lab, he co-founded [murmur], the location-based mobile phone documentary project that has spread to over 25 cities globally.
Summer 2020
Queen is a Black Bajan of Nigerian Ancestry, Queer, Femme presenting, Mother, Author, Educator, Scholar, Activist, and International Artist as well as the Executive Director of Operations & Finance with Black Speculative Arts Movement Canada. As a creative, Queen Kukoyi explores spoken word poetry, digital collage, and animations along with installation work that explores concepts around the Afrofuturistic meditative space. Queen uses the lens of Afrofuturism 2.0 in her visual arts, mindfulness, and storytelling to facilitate discourse that decolonizes the Black identity and affirms all intersections of Blackness.